The Utopian Avant-Garde

In the aftermath of the Bolshevik Revolution and subsequent civil war in Russia, a group of young, talented artists emerged, ready to contribute to and invent a new Soviet culture. As the government embraced cinema as the best means of propaganda, these designers created dynamic, experimental, explosive posters, papering the streets with wild colors and arresting imagery to draw people to the movies. The Utopian Avant-Garde: Soviet Film Posters of the 1920s exhibition explores the origins, high points, and eventual demise of this golden age of Soviet graphic design, showcasing the work of Alexander Rodchenko, the Stenberg brothers, Semyon Semyonov, and many more. 

Created in collaboration with Isometric Studio, the exhibition design invites visitors into an immersive environment inspired by Constructivist principles, where bold shapes and colors create a striking visual experience. The layout features custom typography and dynamic architectural elements that echo the innovative spirit of the era, surrounding attendees with a context that enhances their engagement with the artwork. 

Graphics sweep overhead and extend across walls and floors, immersing visitors in a world of avant-garde design. The use of trusses and angular forms not only adds visual interest but also reflects the youthful energy of the movement, creating a space that feels vibrant and ever-evolving. This architectural approach emphasizes the exhibition's theme while contextualizing some of the rarest and most significant posters in graphic design history.